Otautahi Aikido – General Information
All gradings will be judged on:
- POSTURE
- BREAKING BALANCE
- EFFECTIVENESS OF THE TECHNIQUE
- FLOWING MOVEMENT
Free Style Gradings
The free style gradings are to be done continuously with speed and variety.
Example of free style.
Suwari Waza
Shomen uchi Ikkyo ->Yonkyo, Ryote dori Kokyu-Ho
Hanmihandachi Waza
Katate dori Shihonage, Ryote dori Kokyunage
Tachi Waza
2-3 techniques each from Shomen uchi, Yokomen uchi, Tsuki, Katate dori dori, Kossa dori, Morote dori, Ryote dori, Ushiro Ryote dori, Kata dori, Mune dori, etc.
Otautahi Grading (internal)
| Level |
Lessons Requried (minimum) |
Techincal Requirements |
| 6th Kyu |
30 lessons |
Fundamentals
- Taisabaki (stepping) – Irimi, Irimi Tenkan, Mawashi, Ayumi Ashi Tenkan.
- Attacks – Shomen uchi, Yokomen uchi, Tsuki
- Ukemi – Mae, ushiro, forward slap fall, sideways slap fall
- Shikko – knee walking including turns.
Technique
Suwari Waza – on knees
- Kossa dori Ikkyo – Omote and Ura
- Ryote dori Kokyu-Ho
Tachi Waza – standing
- Katate dori Shihonage – Omote and Ura
- Kossa dori Iriminage – Omote and Ura
- 1 x Optional technique
|
Buikukai gradings
| Level |
Lessons Requried (minimum) |
Techincal Requirements |
| 5th Kyu |
30 more lessons |
Suwari Waza
- Shomen uchi Ikkyo – Omote and Ura
- Ryote dori Kokyu-Ho
Tachi Waza
- Katate dori Shihonage – Omote and Ura
- Shomen uchi Iriminage – Omote and Ura
|
| 4th Kyu |
30 more lessons |
Suwari Waza
- Shomen uchi Ikkyo – Omote and Ura
- Shomen uchi Nikyo – Omote and Ura
- Ryote dori Kokyu-Ho
Tachi Waza
- Katate dori Shihonage – Omote and Ura
- Shomen uchi Iriminage – Omote and Ura
- Yokomen uchi – three techniques
- Kata dori – three techniques
|
| 3rd Kyu |
40 more lessons |
Suwari Waza
- Shomen uchi Ikkyo – Omote and Ura
- Shomen uchi Nikyo – Omote and Ura
- Shomen uchi Sankyo – Omote and Ura
- Shomen uchi Yonko – Omote and Ura
- Ryote dori Kokyu-Ho
Tachi Waza
- Katate dori Shihonage – Omote and Ura
- Shomen uchi Iriminage – Omote and Ura
- Yokomen uchi – three techniques
- Kata dori – three techniques
- Tsuki – three techniques
|
| 2nd Kyu |
50 more lessons |
Free Style for three minutes
- Suwari Waza (one minute)
- Hanmihandachi Waza
- Tachi Waza
|
| 1st Kyu |
50 more lessons |
Free Style for four minutes
- Suwari Waza (one minute)
- Hanmihandachi Waza
- Tachi Waza
|
| Shodan (Black Belt) |
100 more lessons and consult with instructor |
Demonstration and explanation of appointed techniques
Free Style for five minutes
- Suwari Waza (one minute)
- Hanmihandachi Waza
- Tachi Waza
|
General
| AIKIDO |
“The way to harmony with the spirit” |
| AI |
Harmony |
| KI |
Spirit |
| DO |
The way or Path |
| Ai‑hanmi |
Mutual stance. Partners stand facing one another with the same foot forward. i.e: right/right |
| Atemi |
A strike or distraction |
| Bokken |
Wooden sword |
| Dojo |
Training hall |
| Ganbatte |
Train hard and stand true |
| Gi |
Training uniform |
| Gyakyu‑hanmi |
Opposite stance. Partners stand with the opposite foot forward. i.e: right/left |
| Hanmi |
Triangular stance. Literally means “half body” |
| Hanmi Handachi |
Nage (thrower) is kneeling and uke (attacker) approaches from a standing position |
| Hara |
Lower abdomen: physical and spiritual center |
| Hidari |
Left side |
| Irimi |
To enter; entering |
| Jiyu Waza |
Free style practice |
| Jo |
Wooden staff |
| Juji |
Elbow |
| Kamae |
Stance |
| Kata |
Shoulder |
| Ken |
Bokken |
| Ki |
Spirit; the vital force of the body; Universal Energy |
| Kiai |
A piercing scream or cry that unifies all parts of the body and spirit |
| Ki no nagare |
Stream of spirit |
| Kokyu |
Breath ‑ energy/ki flow and the motions of the body unified by control of the breath |
| Ma‑ai |
The appropriate distance between uke and nage. Means “harmony of space” |
| Migi |
Right side |
| Mune |
Chest |
| Nage |
Throw; the person who throws |
| Omote |
Forwards, in front of attacker |
| O’Sensei |
“The Great Teacher”. Morihei Ueshiba, Founder of Aikido |
| Randori |
Multiple person attack |
| Rei |
Salutation, bow< |
| Sabaki |
Motion |
| Sensei |
Teacher, instructor |
| Seiza |
Formal sitting posture |
| Shomen |
Front of the dojo. Also means front or top of head |
| Suwari Waza |
Techniques done from a sitting position |
| Taijutsu |
Body arts, the techniques of Aikido done without weapons |
| Tanto |
Knife |
| Te |
Hand |
| Te-gatana |
Hand blade |
| Tenkan |
Turn, pivot |
| Uchi |
A strike |
| Uchikomi |
To take a step forward and strike |
| Uke |
“To receive”. A person who receives an attack. Generally “uke” refers to the person being thrown |
| Ukemi |
The art of falling. “To receive through the body” |
| Ura |
The attacker’s back |
| Ushiro |
Back, behind, rear |
| Waza |
Technique |
| Yoko |
Side |
Attacks
| Shomen-uchi |
Also called men-uchi, a straight frontal strike at the head with the hand or ken |
| Tsuki |
Punch or thrust |
| Yokomen-uchi |
Oblique strike to the head |
| Kata-dori |
One hand grip to the shoulder |
| Katate-dori |
One hand straight grip to the wrist |
| Kossa-dori |
One hand cross grip to the wrist |
| Morote-dori |
Two hands gripping one wrist/forearm |
| Mune-dori |
One hand grip of lapel |
| Ryo |
Both (Ryokata-dori is gripping both shoulders) |
| Ryote-dori |
Two hands gripping two wrists |
| Ushiro |
Attack from behind (Ushiro ryote-dori is gripping both wrists from behind) |
Holds
| Ikkyo |
1st basic hold |
| Nikyo |
2nd hold, twist applied to wrist |
| Sankyo |
3rd hold, inwards rotation to hand |
| Yonkyo |
4th hold, pressure point in forearm |
| Gokyo |
5th hold, hands opposite to ikkyo |
| Hiji-shimi |
Arm bar. |
Throws
| Irimi-nage |
Entering throw |
| Juji-nage |
Elbow throw |
| Kaiten-nage |
Rotary throw |
| Kokyu-nage |
Breath throw techniques |
| Koshi-nage |
Hip throw |
| Kota-gaeshi |
“Turn wrist out” throw |
| Shiho-nage |
4 directional throw, uke’s arm behind their shoulder |
| Sumi-otoshi |
Corner throw |
| Tenshi-nage |
“Heaven and earth” throw |
Counting
| 1 |
ichi |
| 2 |
ni |
| 3 |
san |
| 4 |
shi |
| 5 |
go |
| 6 |
roku |
| 7 |
shichi |
| 8 |
hachi |
| 9 |
ku |
| 10 |
ju |
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